Albee and Williams Use of Virility in Their Plays Essay -- Literary A

The sexual dominance of male characters over their female counterparts in the plays establishes their superiority and control. Both playwrights suggest that a degree of personal emplacement is acquired by sexually dominate women. The rape scene shows Stanleys workout of place sexually through rage and strength, used to illustrate his last(a) defeat of Blanche and establish himself as King of his territory, limited to expressing basic proclivity . Since earliest manhood his life has been pleasure with women... giving and taking of it... with office and pride. It is a power he lowlife achieve over women that they cannot over him. Lets have some rough tin He springs towards her, overturning the table. She cries out... he picks up her inert figure carries her to the bed. The use of stage directions portrays Blanches passivity, and gives the audience a better understanding of how the level offt empowers Stanley also the enjambment, founding fathert you come towards me another step or Ill-, intensifies Blanches lack of power comparatively with Stanleys. Similarly Albee shows mens power through the ability to overpower George asserts Id take you by force, right here on the living room rug. It is telling that at the end of the play he takes her to bed, after destroying her illusion. Albee also uses sexuality as a tool for battle, Martha says I was necking with one of the guests in an set out to antagonise her husband his nonchalant response undermines her quest for power, ... Good... Good you go right on. Women show a submission to the power of men, even Blanche admits that maybe Stanley is what they need to Mix with their blood, whereas she treats Mitch with contempt, rolling her eyeballs when he cant see and ridiculing him in ... ... http//www.gradesaver.com/a-streetcar-named-desire/study-guide/major-themes/ (accessed October 2010).Harold Bloom, K Harvey. Dark Humour. Infobase Publishing, 2010.Kolin, Philip C. Tennesse Williams A club to resear and performance. USA, 1998.Oxford Dictonary . Oxford, England Oxford University Press, 1989.Roudane, Matthew. Whos Afraid of Virginia Woolf? Towards the Marrow. Shmoop Univeristy, inc. . Shmoop. 2010. http//www.shmoop.com/afraid-of-virginia-woolf/ (accessed October 2010).Shmoop University, Inc. Shmoop. 2010. http//www.shmoop.com/streetcar-named-desire/ (accessed October 2010).Small., Brustein 10 Quotation. Robert C. New York, USA Penguin Group, 2004.Williams, Tennessee. A Streetcar Named Desire. London, big(p) Britain Methuen Student Edition, 1984.. A Streetcar Named Desire. London, Great Britain Secker & Warburg Ltd., 1984.