Analysis of Chopin’s use of linguistic features in her literary works

From the Victorian era, Chopin startled critics with her paradigmatic bosh of a womans abortive struggle towards independence in an oppressive society. By using women as her protagonist, Chopin highlights their sexist roles in belles-lettres whilst restricting them from the expansion necessary to deal with their realisation. It thus seemed conducive to exchange the newfangled into a series of garner in the form of face Sonnets, establishing the undeveloped functionisation of Edna with Robert, whilst they are separated from each some other. The transformation aims to wrap up Ednas role in society, by satirizing the narrow and stereotypical route in which woman are commonly portrayed in literature.The novel as a form does not offer the opportunity for character development in the same way a series of letters/sonnets do. For example, Edna openly declares her love for Robert, at the time of her death Im the person who deserves your love. The continuous sense of the authors eval uation of the deterrent example choices that her characters feign is lost they seem more autonomous by means ofout the sonnets because they speak for themselves without Chopins explicit authorial presence. The sonnet form successfully mimics letter writing as both forms are addressed to some superstar, whilst informing and throw light on their own thoughts.Moreover, when the two characters reveal their feelings to each other or reminisce of their time together at Grand Isle, the mebibyte is tight, mirroring the natural sound of a heart beating. For example, Robert declares The bonds we made grew deeper than the sea. This foreshadows events, making it make to the reader the context of which the letter/sonnets are written, in the novel.As the lowest sonnet concludes, the iambic pentameter in the rhyming couplets deliberately fails, creating the sound of a dying and irregular heartbeat, phonetically indicating Ednas death. Both lines thirteen and fourteen consist of eleven syll ables, breaking the strict rule of including five iambs with one unstressed and stressed syllable, to make up the meter. Unlike the rest of the sonnets, the nett is in past tense which suggests that she has already died and is looking back on her words to Robert. The fact that she dies simultaneously as the sonnet concludes, highlights the end of their conversation and hence concludes the transformation through her tragic death.Phallogocentrism is a key placement conveyed in Roberts sonnets, particularly after he discovers that Edna only likes him to crystalize attention from her husband, whom she believes to be having an affair. For example, conventional values of gender roles are implied through this simile like a deceived husband not knowing you, which aims to make Edna feel sympathy towards her husband, in an attempt to reduce her emotional want for Robert, which contrastingly accentuates through the discourse of the transformation.In conclusion, the third sonnet uses colloc ation of Ednas beauty to highlight her cunning and manipulative ways as a female protagonist. This is revealed through the line For there can have it away no hatred on your face, which highlights Ednas surfaced, innocent faade, concealing her home(a) desires, highlighting her non feminist attitude.